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Semiology // Semiotics

 

We can define semiology or semiotics as the study of signs. We may not realize it, but in fact semiology can be applied to all sorts of human endeavours, including cinema, theatre, dance, architecture, painting, politics, medicine, history, and religion. That is, we use a variety of gestures (signs) in everyday life to convey messages to people around us, e.g., rubbing our thumb and forefinger together to signify money.

We should think of messages (or texts) as systems of signs, e.g., lexical, graphic, and so on, which gain their effects via the constant clashes between these systems. For example, the menu we consult in a restaurant has been drawn up with reference to a structure, but this structure can be filled differently, according to time and place, e.g., breakfast or dinner (Barthes, 1964, p. 28).

In the notes that follow, I will say a few words about structuralism, an intellectual movement which flourished during the 1950s and the 1960s, and semiology, which has been one of the chief modes of this intellectual movement. The major figures in this movement include Ferdinand de Saussure, Roland Barthes, Roman Jakobson, Claude Levi-Strauss, Thomas Sebeok, Julia Kristeva, and Umberto Eco. For reasons that will become obvious, I will focus on Saussure and Barthes, the pioneers. All believed semiology is the key to unlocking meaning of all things.







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